Dylan’s art draws me in with its intriguing color combinations that skillfully become flesh tones with unexpected hues. I have noticed that Dylan uses this type of mark making s lot and has become quite good at rendering faces. The unique distortion in perspective breaks away from conventional portraiture and is effective in showing this as a self portrait with insight into the artists psyche rather then an observational portrait. However, at the convergence point of the two biggest faces, the image loses clarity, muddling the intended impact. Perhaps focusing on defining a singular face rather than attempting both in this area could enhance the overall coherence. Despite this, Dylan’s exploration of color and form shows his development of a unique style.
Alysha Fehr
Dylan’s art draws me in with its intriguing color combinations that skillfully become flesh tones with unexpected hues. I have noticed that Dylan uses this type of mark making s lot and has become quite good at rendering faces. The unique distortion in perspective breaks away from conventional portraiture and is effective in showing this as a self portrait with insight into the artists psyche rather then an observational portrait. However, at the convergence point of the two biggest faces, the image loses clarity, muddling the intended impact. Perhaps focusing on defining a singular face rather than attempting both in this area could enhance the overall coherence. Despite this, Dylan’s exploration of color and form shows his development of a unique style.