The composition of this drawing effectively guides the viewers eyes along the different phases of the transformation. The transition reminds me of the technique I personally use in architecture to showcase the step by step transformation of a building throughout the preliminary design process and construction. The positioning of the subjects demonstrates balance and harmony on the paper.
The transition from darker tones from the top left of the page to the bottom right was executed very well. This technique also effectively guides the viewers gaze throughout the composition. The shift from dark to light could also symbolize the negative impacts of bombs and warfare , contrasting to something that is relatively harmless, which is the water bottle that we see on a regular basis. The contrast of the smooth surfaced warhead versus the crumpled innocent water bottle not only serves as a symbol but also provides a great balance for the image. The light that’s refracted at the top of the bottle adds realism to the subject, further separating it from its former self.
The sense of three dimensionality in this drawing is present and executed well. The choice of not adding shadows works as it sells the illusion of the transition and puts the scale difference aside.
Overall, the proportions of the subjects are consistent. Being familiar with Dylan’s work for five years, I’m impressed with his ability to apply his style into this assignment.
If there’s one thing that I would do differently, I would experiment with different types of bombs to see which one would look best with the transformation. Other than that, well done!
Carlos Tajan
The composition of this drawing effectively guides the viewers eyes along the different phases of the transformation. The transition reminds me of the technique I personally use in architecture to showcase the step by step transformation of a building throughout the preliminary design process and construction. The positioning of the subjects demonstrates balance and harmony on the paper.
The transition from darker tones from the top left of the page to the bottom right was executed very well. This technique also effectively guides the viewers gaze throughout the composition. The shift from dark to light could also symbolize the negative impacts of bombs and warfare , contrasting to something that is relatively harmless, which is the water bottle that we see on a regular basis. The contrast of the smooth surfaced warhead versus the crumpled innocent water bottle not only serves as a symbol but also provides a great balance for the image. The light that’s refracted at the top of the bottle adds realism to the subject, further separating it from its former self.
The sense of three dimensionality in this drawing is present and executed well. The choice of not adding shadows works as it sells the illusion of the transition and puts the scale difference aside.
Overall, the proportions of the subjects are consistent. Being familiar with Dylan’s work for five years, I’m impressed with his ability to apply his style into this assignment.
If there’s one thing that I would do differently, I would experiment with different types of bombs to see which one would look best with the transformation. Other than that, well done!
-Carlos Tajan