Having the car in the top corner gives the water more space to fill the paper and give it a good environment. Your eyes are already drawn around the page quite a bit but by bringing the water up a bit more on the left could bring it around more. Cross-hatching is used well throughout the piece, especially on the coffin to represent the wood texture. The water looks real and has a lot of movement but it could form to the car and coffin more where it is coming out of the headlights. How the shading is done on the car gives it a lot of definition, making it look realistic, but having such bubbly windows gives it a bit more of a surreal effect. There could possibly be more shading near the bottom and edges of the coffin. The flat tires curve nicely to the shape of the coffin.
Emma Viventi
Having the car in the top corner gives the water more space to fill the paper and give it a good environment. Your eyes are already drawn around the page quite a bit but by bringing the water up a bit more on the left could bring it around more. Cross-hatching is used well throughout the piece, especially on the coffin to represent the wood texture. The water looks real and has a lot of movement but it could form to the car and coffin more where it is coming out of the headlights. How the shading is done on the car gives it a lot of definition, making it look realistic, but having such bubbly windows gives it a bit more of a surreal effect. There could possibly be more shading near the bottom and edges of the coffin. The flat tires curve nicely to the shape of the coffin.